Four new papers have been recently published and are available at: https://gavinholman.academia.edu/research
Brass drawings – a look at the depiction of brass bands and bandsmen through the eyes of the cartoonist and illustrator
Brass bands, their players and instruments have always been ripe subjects for humour. They have been used to poke fun at themselves, and others, to make satirical or political points, to promote products, or just to provide the scene for a joke. Cartoonists have found the world of brass bands and brass players an inspiration, both in comment on the brass band movement itself and also as reflections on the contemporary political and social scenes.
Thirsty work – brass bands and the temperance movement in the 19th century
Playing a brass instrument is thirsty business. All that pneumatic effort, spit and water vapour will leave the average player needing a good drink after a rehearsal or a concert – possibly the reason that brass bands, in particular, have been renowned for enjoying a tipple or two – though hopefully not before their performances. Nevertheless, brass bands have had a long association with the temperance movement, which advocated abstinence from alcohol, helping to promote the teetotal message to the public. The 19 th century saw the rise of the fight against alcohol and the parallel increase in the popularity and availability of bands led to brass bands being adopted or established by various temperance organisations. This paper gives a brief overview of the temperance movement and brass bands associated with it, together with some contemporary portraits of temperance bands, drink-related band tales, and lists of the temperance bands over the last 200 years
Children as mutes – the practice of stuffing babies and young children into the bells of large brass instruments
How many children have had their lives blighted by their fathers stuffing them into a tuba, and then having that sorry experience recorded for posterity in a photograph? It appears to have been a commonplace activity in the early years of brass bands, though we cannot know how widespread the practice was before the advent of photography, through lack of evidence, though there are plenty of examples since then.
Music and Musicians for the People: Scottish International Exhibitions, 1886 & 1888 – The brass bands and their contests
The musical contributions at the two international exhibitions in Scotland, at Edinburgh and Glasgow in 1886 and 1888 were detailed in two books written by Robert Marr. Both exhibitions featured many musical events and groups which were engaged to entertain and educate the thousands of people that streamed through the doors each day. From Marr’s copious descriptions about the wider musical performers and events I have extracted the details of the visiting and competing brass bands, using his notes, and have included roughly contemporary pictures of those that are available. In addition to bands, orchestras and choirs performing concerts throughout the Exhibitions, there were a series of contests, including two at each exhibition for brass bands – one limited to Scottish bands, the other open to all. The contest results in Marr’s books have been expanded using contemporary newspaper reports.