Alliance City Band (Ohio)

Paul Hobe has written a history of the Alliance City Band.

This paper describes much of the history of the band from its founding in 1858, before the Civil War, until its ending in 1992.

The first section, which follows an introduction and discussion of research methods, is a set of questions about major aspects of the organization’s story. The questions involve early performances, funding, directors, the Rinkendorf years, and why the band ceased to exist.
The second section is a year-by-year timeline from 1859 until 1992. Though rather detailed, it provides many examples of band performances, concert venues, funding, uniforms, and directors and gives an insight into the role of the Alliance City Band in the political, cultural, business and patriotic life of the City of Alliance, Ohio. This section includes three sample programs that were presented by the band and mentions of various soloists during particular periods of the band’s existence. Several other bands in the Alliance area are also mentioned.
The third section is a preAllianceCB1sentation of several pictures, many of which are formal pictures of the band, possibly in their new uniforms at the time. A description of the uniforms and stories associated with those uniforms is presented when appropriate information was available. The reader could possibly get an interesting history from the various commentaries that follow each picture. Members’ names are provided for the last two (1961 and 1976) formal pictures.

Paul is continuing his research into the history of Stark County, Ohio, with particular interest in the regimental bands of the area. He can be contacted at

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Cornet prize won by Joseph Hyde in 1861

SAM_1581(1)Nickie Preston has a silver cornet in her family, owned by Joseph Hyde, her great, great grandfather. This was won at a contest at Peterborough in 1861 for the “best soprano or solo cornet player” in the competing bands. A newspaper report of the contest is given below

Hyde was born in January 1847 at Hayfield, Derbyshire, and died between 1901 & 1911. He lived in Doncaster in 1861, and would have been 14 when the prize was won. He was a  “surgeon dentist” in the census of 1871. Before he became a dentist, he possibly worked on the railway like his brothers and father. His address is next to the railway station in 1871.


The Lincoln, Rutland and Stamford Mercury, Friday September 6, 1861

Brass Band Contest – The third annual band contest at Peterboro’ came off on Monday last, in a field adjoining  the Great Northern Railway Hotel, the entrance to which was In St. Leonard street. This ground was not by any means so well adapted for holding a fete of this sort as Touthill field, where the contest was held the Last two years, as it is touch smaller, and has not anything attractive about it, being surrounded on all sides by houses.  Notwithstanding this we believe there were quite as many people present as on the former years. The prizes offered were: first prize, £15; second, £8; third, £4; fourth, £2; and fifth, £1. In addition to these prizes a silver medal was presented to the conductor or leader of each of the winning bands ; and an electro silver plated cornet, value 15 guineas, to the best soprano or solo cornet player. For these prizes the following bands competed : Farnley Ironworks, 20th West Riding Yorkshire Volunteer (Doncaster), South Yorkshire Railway, Mexboro’, Nene-side Ironworks, Thrapstone, Whittlesea, Raunds, Kettering, and 6th Cambridgshire Volunteer Rifle Corps. The first five of these bands took the prizes in the order they are placed above. The only band which did not attend as announced was the Baildon. The prize cornet for the best soprano or solo cornet playing was awarded to Master J. Hyde, the leader of the Doncaster Volunteer Band. This caused a little dispute, Mr. Large (the leader and conductor of the Ely band) being without doubt the best player, but Mr. Large belongs to the Cambridge University Band, and was not the person announced as the conductor of the Ely band, and therefore the judges decided that Hyde was entitled to the prize. The decision of course gave great satisfaction to the members of the band to which the boy belonged, and he was carried triumphantly round the ground and loudly cheered immediately the decision was announced.

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Book: Music & the British Military

bookMusic & the British Military in the Long Nineteenth Century

A new book by Trevor Herbert and Helen Barlow, published by Oxford University Press – ISBN: 0199898316.

The first book to explore the contribution made by the military to British music history, it shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.

It plots the story of military music from its sponsorship by military officers to its role as an expression of imperial force, which it took on by the end of the nineteenth century. This study is organised around three themes: the use of military status to extend musical patronage by the officer class; the influence of the military on the civilian music establishments; and an incremental movement towards central control of military music making by governments throughout the world. Military music impacted everything from the configuration of the music profession in the major metropolitan centers, to the development of wind instruments throughout the century, to the emergence of organized amateur music making.

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Book: The Village Brass Band

The Village Brass Band is the latest book on the history of East Anglian bands from the historian David Cawdell. It includes chapters on the history of banding, dating band uniforms, bandstands and contests, then covers over twenty detailed histories of Suffolk bands with snippets and photographs of twenty others.  He has found over 70 villages that used to have bands but, sadly, as yet has not been able to glean enough information to warrant a page or picture.

It is available in some specialist local bookshops and from the author himself, who is well known in the region for his talks on the history of brass bands.

The 76 page book is priced £8.50 with £1.50 postage from

David Cawdell, 23 Low Street, Hoxne, Eye, Suffolk IP21 5AR

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Book: The Musical Salvationist

Just published by Boydell Press:

The Musical Salvationist: The World of Richard Slater (1854-1939), ‘Father of Salvation Army Music’, by Gordon Cox.

The Musical Salvationist frames the musical history of the Salvation Army through the life story of Richard Slater, popularly known as the ‘Father of Salvation Army Music’.
This book focuses upon the significant contribution of the Salvation Army to British musical life from the late Victorian era until the outbreak of the Second World War in 1939.

Richard Slater [1854-1939] worked in the Army’s Musical Department from 1883 until his retirement in 1913. His detailed hand-written diaries reveal new information about his background before he became a Salvationist at the age of 28. He then worked as the principal Salvationist composer, arranger and musical editor of the period and had contact with William Booth, the Army’s Founder, who rejoiced in ‘robbing the devil of his choice tunes’; George Bernard Shaw who wrote a penetrating critique of a band festival in 1905; and Eric Ball who was to become one of the Army’s finest composers.

See this link for futher details from the publisher.

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Family bands

The Shepard Family Band was one of a number of similar “family” bands that gave concerts and performances in the USA in the late 1800s. The Shepards were based in Massachusetts and were active in the late 1880s and 1890s. Although the various family bands had different line-ups and instrumentation, they were quite popular as entertainment troupes, possibly singing and dancing in addition to their, often, multi-instrumental abilities.

Little is known about them other than that gleaned from the various promotional postcards or cabinet cards that they produced. These mainly show the family holding brass instruments, but they also performed as string, banjo and vocal ensembles, and may also have performed various sketches.

The family consisted of: Mr. J. M. Shepard – First Violin, Bb Bass Horn & Basso Soloist. Mrs. J.M. Shepard – Second Bb Cornet, Organist & Soprano. Miss Kittie Shepard – Cornet Soloist, Leader of Brass Band, Banjo Artist and Ballad Songstress. Miss Laura Shepard, Bb Tenor Horn, Baritone Soloist, Solo Violinist, Banjo and Character Sketch Artist. Miss Lessie Shepard – Eb Alto Horn, Second Violin, Irish & Dutch Specialty Artist. Miss Georgie Shepard – Little Bass Drummer, Bb Tenor Horn. And Master Burtin Shepard – Violin and Triangle, Vocal Artist and Bass Drum.

Family bands were not uncommon around the late 1800s and early 1900s, and those in the USA are known largely through their promotional cards. They existed in other countries also, but photographs and other information about them is more sparse.

Pictures of the bands below, and other unknown family bands, can be found in the IBEW Vintage Brass Band Pictures pages.

  • Biehl Family Orchestra, Iowa
  • Botteron Family Band, Chamberlain, Indiana. The musicians were 11 of the 16 children of Frederick Louis Botteron and Mary Jane Stone, aged from 9 to 26 years old in 1895. Some of the older brothers had been in the Chamberlain Cornet Band. When it disbanded they bought the instruments and uniforms and taught their siblings to play.
  • Bramusa Family Band, UK
  • Browns Family Orchestra, Wilmington, Delaware
  • Denman Family Band, Wyandotte. In the 1880s, this featured their five children: Charles, Belle, William, Bertha and John. Charles grew up to become an accomplished cornetist and the leader of the Belleville Citizens Band.
  • Forbes Family Band
  • Frank Family Band, Hornellsville
  • Hawthorne Family Band, Portland, Indiana, 1889
  • Hewitt Family Band
  • Jacobs Family Band, Illinois
  • Lawrence Family Band, Massachusetts
  • Markee Family Band, Quincy, Illinois. Active there in 1899. Moved to Chillicothe, Missouri in 1907
  • McGiben Family Band
  • Noss Family Band, New Brighton, Pennsylvania. Also known as the “Noss Jollities of Musical Comedy”. They were a family of eight including the parents, the children being Flora, Ferdinand, Charlotte, Frank, May, Bertha, Helen, and Lottie. Their first professional local performance was in Homewood, where a circus man from Maine saw them in action one day and offered to manage them on a 16-week tour of Maine. Their career took off from then. When the parents dropped out of the act, Ferd, Flora, Lottie, Frank and Mary billed themselves as “The Five Musical Nosses” and made for New York. There they became a vaudeville success. They retired in 1925 with the coming of the “talkies”. They toured the entire United States, Canada, Cuba, and Mexico many times over. See also,crafts,culture/NossFamilyBand/Nossindex/NossIndex.html
  • Silver Family Concert Band, Michigan.  Bert Silver was born into a show business family. In 1904 he started tent shows and had the first motorized circus in the United States, with four touring cars, four trucks and an advance car. Bert and his entire family played in the Silver Family Concert Band as part of the circus and also in concerts. In 1916 the circus had to be disbanded because the tents and trucks were confiscated by the U.S. Government for use in World War I. When the circus disbanded the family settled in Greenville.
  • Strohl Family Band, 1870
  • Swanson Family Band
  • Wagner Family Band, Texas. Led by Joseph George Wagner
  • Woodward Davis Family Band, Mineral Wells, Texas, 1917. Led by W.W. Woodward and his sister, Mrs E.L. Davies, with their children, aged from 5 to 16 years.
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Stamford Brook Silver Band

The Stamford Brook Silver Band was active in the 1930s, based at St Mary’s Church, Hammersmith. This photograph was taken at a concert for the Holy Trinity Church Music Festival on Saturday 4th June (probably 1932), at the Crabb Memorial Hall.  This hall may have been in London, but the only reference found so far is to one in Tunbridge Wells.
The interesting fact about this photo, other than its evidence of the band’s existence, is the obvious later addition of the “scoutmaster” on the far right.  Who was he? Why was he added later? Why is he in army or scouting uniform?

I suspect we will never know, but this picture has parallels with that of the Bolton Borough Prize Band (below), which also had a person added to the photo.

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